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In 1812, French artist Théodore Géricault painted ‘The Severed Heads’. With a reputation for macabre works, and a morgue supplying him with subjects, this was just one of several. The pair were unknown but France was in the turmoil of post-revolutionary governance, so who could this couple have been?
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Lady Katherine Bulkeley grapples with a letter concerning the crown’s inquiry into her abbey, feeling the weight of change and uncertainty. In the chapel, she encounters the spirits of Henry and Rosamund, who share insights on legacy, authority, and love. Ultimately, Katherine resolves to keep their revelation to herself.
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In Streindarke, love is refined rather than suppressed, as Registrar Albrecht Baus discovers through his daily duties. While he certifies bonds, he grapples with the implications of his work and the weight of unrecognised love. Encounters with a determined woman challenge his beliefs, leading him to confront his past and the cost of his certifying…




